The starting point for my degree project is the connection between the wordless communication of dementia care and tapestry weaving. In the project, I have explored how weaving can create a more creative environment when caring for elders with dementia. The research was done in collaboration with a nursing home in Stockholm, where I previously… Continue reading Nanny Rådenman
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Moa-Matilda Nilsson
The Rites of Manhood is a degree project that explores the role textile plays in the staging of masculinity through an investigation of fraternal groups. The project combines the themes of textile craft, gender studies and men-only secret societies. I have investigated how my crafts can be seen as performative, how materialities can be sexualised… Continue reading Moa-Matilda Nilsson
Maja Björk
The concept of ‘home’ becomes fluid when you have moved many times. You collect a library of addresses that were once temporarily your home, where you settled down at the end of the day. Imagine if you could physically take your personal street with you through life and the memories that accompany it. Once you… Continue reading Maja Björk
Lynn Stenvall
Pipes in general are hidden; something we cannot see. If they work smoothly, we don’t really think about them. But if they burst, you cannot stop thinking about them. Pipes are about transfer, About architecture, Its infrastructure, Its systems. Pipes are a necessity in our civilisation. The pipe system connects our community’s organs. They transport… Continue reading Lynn Stenvall
Henrietta Elfström Berg
Waste material is considered dead according to the logic of industrial production, but in my hands and through my care it gets a second life. My degree project began with waste material from linen factories in Sweden. By using natural dyes, the scraps get a new colour and a new life on the loom. The… Continue reading Henrietta Elfström Berg
Pia Amsell
In my degree project, I am exploring organic shapes in clay, specifically focusing on the botanical cycle of a flower. By using the coiling technique and porcelain clay, I build organic abstract shapes. The coiling technique gives me the opportunity to work slowly and intuitively and in a close dialogue with the material to create… Continue reading Pia Amsell
Malin Uhlén
In my degree project, I create the conditions for ceramic materials to deform. Imperfection has become part of my sculptural expression and I am captivated by the attributes of clay. I explore what are commonly viewed as mistakes, which lead to other possibilities in my process. I question — what more can these materials do?… Continue reading Malin Uhlén
Laura Astrup Larsen
Longing for Touch is a series of sensorial objects intended to evoke the curiosity of our senses. We are living in the Digital Age, spending a lot of our time in front of screens. As a result of this digitisation where experiences are reproduced through smooth surfaces, the analogue materiality disappears and is replaced by a digital… Continue reading Laura Astrup Larsen
Johanna Bylén
this is between you and me. in the room. in the air. in the present. in the past. and in the future. between us and between them. between the layers. between you and me. between self and self. between Rosenbad. or did I mean rosenblad?
Jessica Westerberg
My work is rooted in celebrating chaos and diversity. It can be seen as a critique of societal structures that do not fit neurodivergent and non-normative bodies. My work aims to explore the potential of glass to reflect and communicate deep emotions. The objects I create can be read as portraits: partly as psychological beings;… Continue reading Jessica Westerberg